My short story, Horns in the Hat Works, has been published in Issue Six of Cabinet of Heed. The story is about how we learn, how we share knowledge — and saxophones.
Clear the decks, uninstall the software: Brass and woodwind instruments are making a comeback. Why? Because they tell it like it is – with no bullshit.
“A genius is the one most like himself”: Three jazz moments that resonate with an astonishing unity of person and performance.
One of the biggest reasons I love jazz music is the culture of the standard: Compositions that are only very loosely attached to their creator, instead belonging to a common pool – melodic resources, free-to-use.